The power of myth Boxtales celebrates 20 years of innovative theater

Twenty years ago in 1994, a 30-year-old Michael Andrews was a successful plumbing contractor with the itch to move on to a completely different place in his life, to follow his passions in the theater world and the music scene. And he managed to do both. His band Area 51 is still playing around town, and the company he helped create, Boxtales, celebrates two decades of bringing the world of myth and storytelling to audiences young and old. Boxtales will do so starting this Thursday with a three-day celebration of its best work.

They’ll return to the Lobero with “Prince Rama & the Monkey King,” “The Odyssey,” “Leyendas de Duende” and “B’rer Rabbit and Other Trickster Tales.” The shows have all the hallmarks that have made Boxtales a success: imaginative masks, great costumes, clever stage design, and original adaptations of classic myths that streamline the sometimes convoluted stories down to their entertaining essence.

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Double the Myth, Double the Fun – Boxtales stages a tale from the Popol Vuh

Isaac Hernandez photos
Isaac Hernandez photos

Boxtales Theatre Company has taken one of the main sections of the Popol Vuh, the scripture of the Quiche Maya people of Central America, and turned it into “The Hero Twins.” The play is in both English and Spanish and contains many features found in other creation myths: a tree of knowledge, a journey into the underworld, a defeat and a triumphant return. But instead of a snake, there’s a talking skull in the tree. And instead of war and battle, there’s a ball game — one of the first mentions of sport in ancient texts. There’s an immaculate conception, achieved in a very peculiar way. The crossovers, echoes, and variations make this perfect for Boxtales: They dive in with their masks on.

This is the first myth-based performance for Boxtales since 2009’s “Om,” a version of the Ramayana. “The Hero Twins” originated during 2011. “We were gearing up for the end of the Mayan calendar,” says cast member Matt Tavianini. He’s referring to the supposed “end of the world” that worrywarts supposed would happen at the finish of 2012. (Note: the world is still here.)

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