Full Exposure – Artist James Gilbert knows our intimate details, whether he likes it or not

'DELICATE STANDARD'
‘DELICATE STANDARD’

Whether you have a Facebook account or a Twitter feed or nothing at all, the changing ideas of privacy affect us all. We let people know where we work, where we live, our beliefs and opinions, what we eat and drink and where we are this very minute. And the thing is, younger generations see no problem with it. Full transparency, they vote.

You could say that “transparency” is also the operative word in James Gilbert’s work, which comes to Contemporary Arts Forum this Thursday as part of First Thursdays. Instead of paintings or video or dance, viewers will encounter Gilbert himself right when they walk in, high above the desk, sewing underwear out of plastic, a material that leaves little to the imagination. Don’t worry, you don’t have to wear it. But visitors will have an opportunity to hang their ‘wear all around the gallery. That’s a lot of tighty whiteys. The work is “accumulative sculpture,” he says.

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