First thoughts upon entering the Alhecama Theatre for this production of “The Glass Menagerie” — has the stage ever contained this much depth? By its use of sliding doors, three levels, and some beautiful floor lighting, we get taken back to the dark and dank St. Louis tenement where playwright Tennessee Williams exorcised the ghosts of his past and reincarnated them as unforgettable characters.
On walks Tom Wingfield, played by Joe Delafield. He stands outside the tenement he shares with his mother and sister, lights a cigarette and leans against the wall, looking like the anti-hero in a film noir. But he’s no gumshoe, and his staccato Southern accent — young, fast, clipped, like George W. Bush, but with 10 times the vocabulary — lays out the rules of the play: Memory, spirits, exaggerations. And then there are the things that we realize he is not telling us about: shame, guilt, betrayal, and regret.